What is the name of your film? What is it about? 

● My film is called While We Still Have Time and it’s a personal documentary about my desire to connect with my sperm-donor father John, after he was diagnosed with aggressive cancer. It’s an honest and heartfelt exploration of our unique bond, as we seek understanding and closure amidst life’s uncertainties.

What was the most challenging thing that you shot for your film? 

● One of the most physically demanding and emotionally challenging moments during our shoot was at the Positive Living Centre in South Yarra, where we hung several Victorian AIDS Quilts. The task required a coordinated effort to position the quilts at great heights, involving ladders and a great deal of teamwork. I don’t think I fully anticipated the emotional weight this experience would carry. 

The sight of the quilts on display, each panel representing a life lost to HIV/AIDS, was deeply moving. What impacted me most, however, was witnessing my Dad’s vulnerability as he spoke about the personal significance these quilts held for him. On the day of the shoot, a family came in to view a quilt panel dedicated to their son. It was at that moment that I truly grasped the immense importance of the quilts – not just as a physical piece of fabric, but as a poignant memorial, a tribute to those who have died from HIV/AIDS. 

Is this your first film? Where might have people seen your work before?

● Yes! While We Still Have Time is my debut film.

What was the inspiration for your film? 

● I’ve always known I wanted to make a film of my own, having volunteered on several film projects beforehand. I vividly remember sitting down with my producer Jasper Caverly over coffee, where I pitched two fiction ideas and one factual concept. Before he even took a sip he was certain he wanted to support the factual idea – which, in essence, was the story of my own life. The inspiration for the film came from a deeply personal place. A reckoning with the realisation that my Dad was both familiar and yet an intriguing mystery. I felt it was important to try and get to know him: while we still had time.

Do you have any tips for aspiring filmmakers? 

● Never be afraid to look within. Sometimes, the most resonant stories are the ones closest to us. Don’t be afraid to dig deep – you might uncover something precious. Keep it simple, too. Whatever story you’re telling, be able to pitch it in one sentence. Most importantly, surround yourself with a strong crew. Filmmaking is a team effort and having people who believe in you and your story is essential. I couldn’t have done it without mine!