From April 9-17, a vibrant selection of exciting new films will screen during the third iteration of Sydney’s always buzzing Inner West Film Fest. “We’re excited to be back for our third year with some of our best films yet! We can’t wait for audiences in the Inner West to engage with these incredible movies, many of which have direct connections to the area,” Dov Kornits, director, Inner West Film Fest. Back for its third big year, the Inner West Film Fest will roll out in fine fashion from April 9-17, nestled comfortably at its home of Dendy Newtown with a diverse and utterly fascinating selection of feature film premieres from Australia and around the world. The full programme for the Inner West Film Fest 2025 has just been announced, and it’s jammed-to-busting with cinematic riches.
Launching the big screen festivities on April 9 at 6:00pm will be the affecting Thai film Flat Girls, presented by the Royal Thai Consulate-General. From producers Jira “Keng” Maligool and Vanridee “One” Pongsittisak, the creative forces behind the surprise international hit How to Make Millions Before Grandma Dies, Flat Girls is a sensitively written and artfully directed coming-of-age tale by gifted debutante Jirassaya Wongsutin. Part of a new wave of Thai cinema, Flat Girls is an authentic and heartfelt modern story that delicately explores the complexity and dynamism of teenage friendships. After the delightful kick-off of Flat Girls, the Inner West Film Fest boasts highlight after highlight, including two very special retrospective screenings. Just as powerful and alarming today as it was fifty years ago when it was first released, Peter Weir’s acidic 1974 classic The Cars that Ate Paris will grind the gears and screech into the Inner West Film Fest via a very special remastered print, courtesy of the National Film & Sound Archive. When Belgian director Agnes Varda passed away in 2019, world cinema lost one of its most vital and impassioned female voices. In celebration of this inestimable talent, this year’s Inner West Film Fest will feature a special 25-year anniversary screening of Agnes Varda’s acclaimed 2000 documentary The Gleaners & I on 35mm film, supported by the iconic Inner West gleaners at Reverse Garbage.
There are also exciting new films aplenty. An absurdist, surrealist trip that literally defies genres and simple explanation, Universal Language is Canadian director Matthew Rankin’s follow-up to his bizarre gender-bending 2019 debut The Twentieth Century. Shanghai director Lou Ye (Suzhou River, Mystery) revisits the ugly spectre of Covid head-on with his new drama An Unfinished Film, which has been banned from screening in China and is one of the hottest selling tix of the fest, almost sold out 12 hours after going on sale! A visually stunning and deeply poetic treatise on faith, fundamentalism, community and family, The King Tide is the daring and provocative new drama from bold Canadian director Christian Sparkes, starring Clayne Crawford and Inner West’s own Aden Young. Australian writer/director Luke Eve – another one time Inner Westie – and Spanish actress Maria Albinana complete the tale of their complex relationship with the feature film UnCancelled, which follows their popular web series Cancelled and ReCancelled. Co-star Socratis Otto will be on hand to introduce this bittersweet and uplifting new film for its big screen premiere. Screening on National Canada Film Day (it’s a thing!), April 16, and presented by the Canadian Consulate is winner of the Berlinale Generation 14plus Grand Prix, Who by Fire, a searing coming-of-age drama with a decidedly cinematic (and Leonard Cohen-esque) edge.
Non-fiction filmmaking is also well and truly in play at the Inner West Film Fest, with a host of new docos set to captivate and provoke audiences. With idiosyncratic indie-hero director Alex Ross Perry at the helm, and one of the most unconventional bands of the 1990s as its subject, Pavements – about lo-fi godheads Pavement – is certainly not your standard music documentary. In his powerful new impact doco Future Council, Aussie actor/director Damon Gameau (That Sugar Film and 2040) takes a group of eight international kids on a thrilling road trip across Europe where they charmingly get right in the faces of businesses and leaders in search of solutions to our greatest ecological challenges. Documentary Sunlight: YES focuses on the latest work by artists SymbioticA, a collective internationally recognised as the first to grow meat in a lab. Narrated by AI, this film follows their latest artistic experiment, trying to grow food without sunlight or shit! Can they do it? Screening alongside Sunlight: YES is a special program of films made using Unreal Engine, including Dr Gregory Ferris and Dr Liz Giuffre’s Spirits of the Hoey and Jack Manning Bancroft’s Imagine, followed by an insightful panel with the filmmakers. The Inner West Film Fest will close out in high style on April 17 by highlighting Australia’s exciting new filmmaking talent with the dazzling entrants in The Short Film Showcase, which will then lead into the World Premiere screening of 2023 Short Film Showcase winner, James Robert Woods’ feature debut Moonrise Over Knights Hill, a tense drama about a group of former high school friends who reunite with their partners for a luxury weekend getaway, with unforgettable results. Boasting a sizzling collection of must-see films, the Inner West Film Fest is all set to raise the excitement levels even further in one of Australia’s most exciting cultural and artistic hubs. Get ready to take a true cinematic trip…
